Petr Gumennik (Russia) had to change his music selection just two days before his performance due to copyright issues.
Tomas-Llorenc Guarino Sabate (Spain) almost didn't get to use his Minions-themed music due to Universal Pictures' initial restrictions.
Loena Hendrickx (Belgium) switched her music to avoid potential copyright problems with her original Celine Dion selection.
The International Skating Union (ISU) relaxed rules in 2014 to allow music with lyrics, but this has led to increased copyright complications.
Skaters like Ilia Malinin (USA) try to avoid issues by directly contacting artists for permission.
Why this matters: Music is integral to figure skating programs, influencing choreography and costumes. Copyright disputes can disrupt skaters' routines and impact their Olympic dreams.
The issue of music copyright in figure skating has grown since the ISU allowed music with lyrics in 2014. Previously, skaters primarily used classical or instrumental pieces considered public domain. However, modern music requires licenses from artists and record labels, creating a complex clearance process.
Background:
Historical Context:: Before 2014, music was largely public domain.
ISU's Role:: The ISU has tried to create systems to avoid copyright issues but continues to face challenges.
ClicknClear:: The ISU partnered with ClicknClear, a licensing platform, to pre-clear music and simplify the process, but challenges persist.
Case Studies:
Tomas-Llorenc Guarino Sabate:: Sabate's Minions-themed program faced restrictions from Universal Pictures. Public outcry and intervention from ClicknClear founder Chantal Epps helped secure the necessary approvals. He was able to get permission after getting support from a fellow spaniard artist.
Amber Glenn:: Glenn faced a potential issue when artist Seb McKinnon initially claimed his song "The Return" was used without permission. However, it was resolved after it was revealed that Glenn had gone through the correct process and the label had approved the song.
How Skaters are Adapting:
Direct Contact:: Some skaters, like Ilia Malinin, proactively contact artists to obtain permission.
Alternative Selections:: Loena Hendrickx switched to another Celine Dion song that was easier to clear.
Actionable Takeaways:
Skaters need to be proactive in securing music rights.
Governing bodies must continue to streamline the clearance process.
Q: Why has music copyright become a big issue in figure skating?
The ISU's decision to allow music with lyrics in 2014 opened the door to copyright complexities that didn't exist when only instrumental music was permitted.
Q: How do skaters typically obtain permission to use music?
Skaters must navigate a complex process that involves identifying the copyright holders (artists, labels, publishers), negotiating licenses, and securing clearances, often using platforms like ClicknClear.
Q: What happens if a skater can't get the rights to their music?
They may have to switch to an alternative piece, as seen with Petr Gumennik and Loena Hendrickx, or risk legal repercussions.
Music copyright issues can significantly impact figure skaters at major competitions like the Olympics.
Skaters must proactively navigate complex licensing processes to avoid disruptions.
The ISU and other organizations are working to streamline music clearance, but challenges remain.
Building relationships with artists can help skaters secure permissions and avoid potential conflicts.
Do you think the ISU is doing enough to address music copyright issues in figure skating? What more could be done to support skaters? Share this article with others who need to stay ahead of this trend!
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