Yorgos Lanthimos Expands His Repertoire With First Photography Exhibition in L.A.

In-Depth Analysis

Yorgos Lanthimos's foray into photography marks a significant expansion of his artistic repertoire. While taking photos on set began as a common directorial habit, it has evolved into a dedicated practice. Lanthimos describes his photography as needing 'to be something other than the film. A totally different perspective.' This is evident in the exhibition's works, which, while often featuring actors and sets from his recent films *Poor Things* and *Kinds of Kindness*, possess a distinct quality.

The photographs often capture subjects in ambiguous states—between characters and their real selves, interacting with the artifice of the set in unexpected ways (like Emma Stone in costume holding a disposable coffee cup), or turning away from the camera. This aligns with the 'macabre absurdities' and peculiar spirit found in his films but translated into the stillness of a photograph.

His process, involving self-teaching and even developing film negatives with Emma Stone after shooting days for *Poor Things*, underscores his commitment to this medium. The exhibition doesn't just showcase behind-the-scenes moments; it curates a vision that explores the 'bones of the unique world' created for his films and the landscapes they inhabit, constructing a 'different narrative'. It's an exploration of seeing, both for the director and the viewer, extending the Lanthimos universe beyond the cinema screen.

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FAQ

Takeaways

• Gain insight into how a renowned filmmaker translates his unique vision into still photography.
• Explore a different facet of Yorgos Lanthimos's creative output beyond his well-known films.
• Appreciate the artistry of photography as an independent medium, even when linked to film production.
• Consider visiting the LA exhibition if interested in contemporary art, photography, or Lanthimos's work.

Discussion

Yorgos Lanthimos is known for his distinct and often unsettling cinematic worlds. How do you think his photographic style compares to his filmmaking? Do you think this trend of filmmakers exploring photography will continue?

Let us know your thoughts in the comments!

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